Melinda McKay would meet the devil to become an international prima ballerina. Brent Lord would defeat the devil to become the Global Heavyweight Bodybuilding Champion. Together, their talents were the perfect fit for a Las Vegas extravaganza. Deceit, distrust, greed and revenge misguided them. Money, anger, suspicion and treachery drove killers to murder the talented performers.

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You are forewarned, sexuality and profanity are explicitly portrayed in Kissing Freud. KISSING FREUD explores emotional power with buried secrets like a time bomb ticking away at the heart. Assembled together is a cast of free-form thinkers, opportunists and sinners. Nate Sullivan's intelligence is spellbinding. His diplomacy is hypnotic. His profession is psychotherapy. Nate's lifeline is ruthlessly threatened by two scheming voices in his head. After an auto accident Nate is rushed to a hospital, where he's examined and drugged. His physical injuries take a backseat to his shattered emotions. The voices in his head scream for attention. Nate releases control and is plunged into the mentally challenged ward where madness is as wild as the world.

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This is prequel part 3 to my novel Dubrovnik. Searching for Hercules, the drug, the man, the myth. Alexander Crown and Ivan Andric were summoned back to Athens to apprehend Hercules. They were uncertain whether Hercules was a man, a legend or cocaine.

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This is prequel part 1 to my novel Dubrovnik. On their way to Dubrovnik, Croatia, on a death defying mission, two U.S. Special Forces Agents are temporarily displaced on another mission in Athens. Sleep deprived they stop for a quick rest. Two teenage girls tempt the men with seduction, food and money. They will pay to be married and have babies, and they will settle for nothing less.

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This is prequel part 2 to my novel Dubrovnik. Another mission averted, Alexander Crown and Ivan Andric, U.S. Special Forces Agents arrive in Istanbul. They help the U.S. Consulate free three American Students from jail on charges of disorderly conduct. Drugs, sex and food changes Ivan's future.

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This is prequel part 4 to my novel Dubrovnik. Summoned to Macedonia to petition an Albania Army Commander not kill six American students trying to cross their border illegally, Alexander Crown and Ivan Andric were suddenly kidnapped by Serbian National Police, stripped and searched. These two men were no longer Special Forces members. They were victims.

Survival was necessary. Serbian police were unpredictable. Albania was the worst place to be on earth. Their primary mission in Dubrovnik seemed a lifetime away. Could the children that accosted them be their worst enemy?

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He was a skilled mercenary. He promised to never kill again, a promise he could not keep. To satisfy his passion Alexander Crown became a lone philanthropist.

This is the sequel to Dubrovnik. Thievery is his arsenal, jewelry his targets. His heist at the Cannes Film Festival exposed a Renaissance discovery so profound the French Secret Service wants Alexander Crown dead. Iktar Stanktar intends to kill him. Isabella Berghini seeks redemption. Euro Wodehouse craves his love. The philanthropist only cares about the children in his orphanage.

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DUBROVNIK spins with cultural conflicts. The old walled-in city is an immensely rich backdrop. Dubrovnik generates shadows of civil war in a country on the verge of westernizing its culture and politics. Alexander Crown and Ivan Andric, two Special Forces agents, fight against selfishness and treachery between two families. Will they win trust and loyalty from their new Croatian friends? Read this fascinating story and find out.

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If ten year old Reggie Rocketship wasn’t an aerospace engineering protégé, if his family didn’t purchase their house in San Francisco, Reggie would not have discovered the Dr. Seuss story taped underneath a dresser drawer in his attic. When two thieves break into his home, hack into Reggie’s laptop, threaten his parents and kidnap Reggie, the boy becomes a Cat in the Hat investigator.

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Exotic, ingenious, poignant, spicy and voracious, Marilyn returns to her synergistic life, and the body of Martin Montage is the perfect conduit for posthumous symbiosis. Martin’s kinetically balanced social network is challenged when Marilyn's charged sexuality invades his identity. A theme of survival emerges, no matter what the costs; either Martin’s life or Mari

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